How to Brief a Video Production Company: A Guide for Marketing and Comms Teams
The single biggest factor in whether a video project succeeds or fails is the quality of the brief. Not the budget. Not the location. Not even the production company.
A clear, well-structured brief gives a production team everything they need to produce a video that actually does what you need it to do. A vague or incomplete brief leads to misaligned expectations, costly revisions, and results that disappoint.
This guide is written specifically for marketing and communications professionals — people who know what they want but may not have worked with a video production company before, or who want to make sure they're approaching the process correctly.
Start with business outcomes, not video formats
The most common mistake in video briefs is leading with format before establishing purpose. "We want a two-minute video" is not a brief — it's a format preference. "We want to reduce time-to-productivity for new starters by giving them a consistent onboarding experience" is a brief.
Before you write a single word of your brief document, answer this question: what does this video need to achieve for the business?
Common business outcomes for video include:
- Increasing enquiries or conversions from a specific audience
- Reducing the time sales teams spend explaining a product or service
- Improving employee engagement or retention
- Communicating a message consistently across a distributed workforce
- Building brand credibility with a specific audience segment
The business outcome shapes everything else: the format, the length, the tone, the distribution channel.
Define your audience with specificity
"Our target audience is businesses" is not useful. "Our target audience is HR directors at Irish companies with over 200 employees who are evaluating new onboarding processes" is useful.
The more precisely you can define who will watch this video, the more precisely the production company can tailor the approach. A video aimed at C-suite decision-makers has a different tone, pacing, and visual register than one aimed at frontline employees.
Consider:
- Who specifically is this video for?
- What do they already know about your company or product?
- What do you want them to think, feel, or do after watching?
- Where will they watch it, and in what context?
Map the distribution plan before production begins
Where a video lives determines how it should be made. A homepage hero video has different requirements than a LinkedIn ad, a conference presentation, or an internal training platform.
If you know the video will need to perform on mobile as well as desktop, say so. If it will be subtitled for accessibility or viewed without sound, that affects how it's scripted. If it needs to be cut into multiple lengths for different platforms, that needs to be planned from the outset — not retrofitted in post-production.
What a complete brief should cover
A brief doesn't need to be long. It needs to be complete. Here's what to include:
1. Background Who are you, what does your organisation do, and what's the context for this project?
2. Objective What does this video need to achieve? Be specific.
3. Audience Who are they, what do they already know, and what do you want them to do after watching?
4. Key messages The two or three things you most want viewers to take away. If you have more than three, prioritise.
5. Tone and style How do you want the viewer to feel? What's the visual register — formal or approachable? Fast or considered? If you have reference videos (from your own brand or elsewhere), share them.
6. Practical parameters Budget range, timeline, existing brand guidelines, and any technical constraints.
7. Approval process Who needs to sign off at each stage? How many rounds of revisions are anticipated?
On budget: be honest
Budget transparency is not a weakness in a brief — it's essential information. A production company that knows your budget can recommend the most appropriate approach. One that doesn't know your budget has to guess, and is likely to either over-engineer a solution you can't afford or underestimate what you could achieve.
If you don't have a firm budget, share a range. If you need to understand what different investment levels could deliver, ask for tiered options. The conversation will be more productive for it.
The brief is a starting point, not a specification
A good production company won't just read your brief and execute it blindly. They'll ask questions, push back on assumptions, and suggest approaches you haven't considered. That's part of what you're paying for.
Share your brief as the starting point for a conversation, not as a final instruction. The best video projects are collaborative — and the best briefs leave room for that.
Working with VideoBase
At VideoBase, we work with marketing and communications teams across Ireland who need video that performs. Whether you have a detailed brief ready or you're still at the "we know we need a video" stage, we'll help you work through it.
Get in touch to start the conversation.